The 16th annual festival of improvised, spontaneous and experimental music features a remarkable national and international line up of creative humans.
Over four nights (and a few days) in Redfern, musicians, dancers, sound artists, and other inspired creative do-ers will make their mark on our lives, one set at a time.
The NOW now 2017 will be entirely artist powered. To raise funds, festival co-founder and co-curator Clayton Thomas will play the longest world's longest bass solo at MONA o...
The 16th annual festival of improvised, spontaneous and experimental music features a remarkable national and international line up of creative humans.
Over four nights (and a few days) in Redfern, musicians, dancers, sound artists, and other inspired creative do-ers will make their mark on our lives, one set at a time.
The NOW now 2017 will be entirely artist powered. To raise funds, festival co-founder and co-curator Clayton Thomas will play the longest world's longest bass solo at MONA on January 14. To show your support, please visit www.gofundme.com/the-worlds-longest-bass-solo and help us get this puppy off the ground.
$20 / $15 PER NIGHT
$60 / $45 FESTIVAL PASS
Thursday Jan 19, 2017
Presented with Inland
7:00
CONCERT ROOM
Rohan Drape, solo electronics
Ingar Zach, (Norway) solo percussion
8:00
GALLERY
Great Waitress
Magda Mayas (Berlin), prepared piano
Laura Altman, clarinet
Monika Brooks, accordion
9:30
CONCERT ROOM
True Strength
Alexander Garsden, guitar
& Ida Duelund-Hansen, voice (Copenhagen)
10:30
Morton Feldman 'palais de mari' performed by Joy Lee.
Friday Jan 20, 2017
7:00
GALLERY
Ingar Zach (Norway), percussion
Cor Fuhler, prepared piano
Jim Denley, woodwinds
Melanie Herbert, violin
8:00
Vavenge
Nicola Morton, vocals, synth
Matt Earle, percussion
Nick Dan, vocals, synth
Anthony Guerra, bass
with Mimi Kind's Rhythm Machine
Sass Hound
with Simo Soo & Frontier Dominion
BAR
dj Xiaoran Shi
9:30
CONCERT ROOM
LUCY CLICHE
Lucy Phelan, electronics and voice
DISPOSSESSED
Serwah Attafuah
Jarrod Osei
Birrugan Dunn-Velasco
Enderie Nuatal & SEZZO SNOT
Andrew McLellan
Sezzo Snot
Visuals from VJ Icki Sweet & Jadis M
Saturday Jan 21, 2017
(AFTERNOON CONCERT)
2:00 – 5:00
GALLERY
A Walk in the Partch
Trevor Brown, saxophone
3 hour drone performance utilising field recordings and saxophone.
5:30
UPSTAIRS GALLERY / BALCONY
Talk: Douglas Kahn: Climate Change and its relationship to sound
Douglas Kahn is Professor of Media and Innovation at the National Institute of Experimental Arts (NIEA), University of New South Wales, Sydney.
Historian and theorist of the media arts and experimental music with concentrations in the study of sound, electromagnetism, and natural media.
Click here to visit his website:
http://www.douglaskahn.com/
6:30
GALLERY
Sonya Holowell, voice
Jonathan Holowell, piano
"The Abandoned Street Organ"
Solo by Jon Rose on this semi-dysfunctional, temperamentally tuned, found object, and utilizing the 33 year old Don Mori revolving speaker (powered by a washing machine motor) in a surround sound spectacular.
Korsakoff's Syndrome
Shota Matsumura, guitar, electronics
Laurence Williams, guitar, robots
with Ivey Wawn, movement
8:00
CONCERT ROOM
Kusum Normoyle, voice & feedback
Clayton Thomas, double bass & objects
Mary Rapp, voice & cello
10:00
GALLERY
Jeff Henderson & The Not Quite Quiet Choir
Jeff Henderson, conduction and baritone saxophone
Christian Meass Svendsen, double bass
Holly Connor, drums
Cor Fuhler, piano
Shota Matsumura, trumpet
Sam Gill, alto saxophone
Irene Kepl, violin
10:45
CONCERT ROOM
Jasmine Guffond, electronics
Sunday Jan 22, 2017
An afternoon concert
3:00 – 5:00
REDFERN OVAL,
Corner of Redfern & Chalmers Street, Redfern
A day in the park with Splinter Orchestra and Prophets
For over 15 years the Splinter Orchestra have developed a unique and culturally specific music. This out-door event presents its own musical surprises, allowing audience to move throughout the park and hearing each sound, both made and environmental, with new focus.
After touring the streets of Europe as one of the most dauntingly original busking groups of all-time, Prophets return to the outdoors for this Redfern Park Performance.
5:30
UPSTAIRS BALCONY
Workshop
String improvising in the age of computers, social-media, overwhelming consumerism, and other odds against.
Christian Meaas Svendsen (Norway), double bass
Irene Kepl (Austria), violin
(Free entry, bring your instrument, or your ears)
6:30
GALLERY
Christian Windfeld (Denmark) solo percussion
Aviva Endean, bass clarinet solo
Christian Meaas-Svendsen (Norway), double bass
Irene Kepl (Austria), violin
7:30
CONCERT ROOM
Dale Gorfinkel, drums and electronic amplifications
Peter Farrar, alto saxophone, electric bass
Lucas Abela, glass and blood
8:30
GALLERY
PIKELET
Evelyn Morris, electronics and voice
RHRR trio (France)
Xavier Charles, clarinet
Frederic Blondy, prepared piano
& Guyliane Cosseron, voice
INSTALLATIONS
UPSTAIRS GALLERY
19-22 JANUARY
Open from 12:00am-10:00pm
Alexandra Spence
Mimi Kind
Peter Blamey
Bronwen Williams and Karam Hussein
Cor Fuhler
Alexandra Spence:
Here. 2017; various objects
Here is a series of small sound installations that consider the connections between place, identity and sound in everyday life. Having recently relocated from the west coast of Canada to the east coast of Australia, these works look to the Pacific Ocean as a point of connectivity.
i. Listening to the sea from at least twelve points of hearing. Cassette tapes, cassette deck, (buried) magnetic tape & matchboxes, found objects.
ii. 12,493 km. Cassette player, cassette tape, magnetic tape loop, found objects, sand.
iii. radio fishpond. Fishpond, hydrophone, radio transmitter, FM radio.
afivepence.wordpress.com
soundcloud/alexandraspence.com
Mimi Kind:
Pecking Disorder. 2017; wood, assorted everyday objects, speakers
Pecking disorder: an installation of 6 small battery-powered oscillators mounted on tall poles, which collide with everyday objects surrounding them. A drone of erratic rhythms is created as the oscillators and objects collide.
Each oscillator can be switched on/off to your taste... what would you like to hear?
Peter Blamey:
Building Weather. 2017; 3 volt electric motor, wood, plastic, thumb tacks, photovoltaic panels, amplifier, copper wire, ferrite core, foil, cable
http://peterblamey.net/
Bronwen Williams and Karam Hussein:
Mechanical Popper. 2017; Motor, Paper, Acrylic, Arduino, Wood
This sound sculpture is a fusing of the analog and the digital. Here, we have created a playful machine that takes a hand-folded origami popper and uses a mechanical system to activate the paper popper. There is a sense of uselessness, humour and surprise when the popper is set off, disrupting the historically silent and contemplative nature of the gallery space. The artwork is interactive and requires audience participation.
bronwenwilliamsart.com
karamhussein.com
Cor Fuhler:
Lucky I am not. 2017 various objects
Cor will setup a small intimate installation, weather permitting in the garden, consisting of seven rusty chimes, which he detuned into a specific harmonious world, played in an aleatoric and stochastic fashion by seven golden lucky cats. Cor might add a few more items, depending on what works once everybody else has setup their specific installation. Possibly Doze(n), an interactive setup of 12 music boxes, or singing bowls played by turntables, we will see.
http://www.corfuhler.com/installations
FEEDBACK
An experimental collaboration across sound and vision.
FEEDBACK is a music-video program that brings together a group of artists from Western Sydney to collaborate with emerging musicians on the autism spectrum and with other disabilities, working closely with the supported music studio, Club Weld.
Musicians: Chris Stiles, TJ Stines, Anthony Talarico, Clare Brown, Ashley Unterrheiner, Anthony B, Andrew Barrett, Helen Lupton and Paolo Donia (with Jerry Kahale, Pasko Schravemade, Nicola Morton, Matt Earle and Sam Worrad
Video Artists: Marian Abboud, Heath Franco, Jerry Kahale,Nicola Morton, James Nguyen and Naomi Oliver.
Let's get this puppy off the ground.
The NOW now 2017 is organised by Danielle Zorbas, Bronwen Williams, Alexander Garsden, Jon Hunter & Clayton Thomas
www.thenownow.net
We recognise and acknowledge the unique position of Aboriginal and Torres Strait Islander Peoples in Australia’s culture and history; and pay our respect to Elders past and present, including as the traditional custodians of the Gadigal land of Redfern.